The tallest stones reach 25 feet, while the heaviest rock weighs nearly 30 tons. For the most part, each carving and piece is made from a single stone. He made a variety of “furniture” including beds and rocking chairs, as well as a fountain, table, well, sundial and throne.Īpparently fascinated with astronomy, Ed carved a stone telescope, and even erected large stone depictions of Jupiter, Saturn and the moon from blocks weighing as much as 23 tons. With these huge rocks, Ed built walls, erected a tower and a 22-ton obelisk. The average weight of the stones is about 14 tons each. Not really coral, the huge stones that comprise the castle are composed of oolitic limestone the coral designation came about later when visitors noticed fossilized coral and shells in some of the rocks. Fearing the loss of privacy as development moved closer, Ed transported his castle, with the aid of a truck, tractor and trailer, 10 miles north to its present location in Homestead, Florida. Originally named Rock Gate Park, the Coral Castle was first erected at Ed’s remote Florida City home. When asked how he manipulated such large blocks alone, Ed would explain that he had “discovered the secrets of the pyramids.” ![]() A loner, one hundred pound, five-feet tall Ed refused to let anyone even watch him work, and no one is known to have helped him move, carve or place the massive stones. This experience seems to have had a life-changing effect, as you’ll see later.Īfter he bought a parcel of land in Florida City, Florida, Ed began to work on the Castle. During a bout with tuberculosis around 1919, he moved to Florida, where magnets were apparently used to treat his condition. sometime around 1913 after his fiancée broke off their engagement (and a large piece of his heart). Born in Riga, Latvia in 1887 to a family of stonemasons, Ed immigrated to the U.S. Very little is known of the mysterious creator of the Coral Castle, Ed Leedskalnin. ![]() Between 19, a diminutive Floridian single-handedly and without heavy machinery moved 1,000 tons of limestone, creating out of it a castle.
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With RealDownloader, not only can you download videos with one click, you can also watch your videos immediately using the built-in video viewer. ![]() The free RealDownloader gives you more control than your typical video downloader. ![]() JUSTICE STORY has been the Daily News’ exclusive take on true crime tales of murder, mystery and mayhem for more than 100 years. “It appears there is nothing you can do short of outlawing guns for every person in the country,” Texas Governor John Connally said after the massacre. A brain tumor, nestled between his thalamus, hypothalamus and amygdala, developed quietly. But as the sandy-haired boy grew up into a tall, athletic ex-Marine, beneath his mop of blond hair, something else was also growing. President Johnson made a plea to “press urgently for legislation now pending in Congress to help prevent a criminal from obtaining firearms.” It passed in 1968.īut not everyone was convinced that gun laws were the answer. Smart, strong, talented and popular, the young Charles Whitman seemed, outwardly, like a poster child for the all-American boy stereotype. Seymour Halpern (R-N.Y.) Secretary of the Treasury Henry Fowler Rep. Emanuel Celler (D-N.Y.) Joseph Barr, undersecretary of the Treasury Rep. Bennett, retired director of the Federal Bureau of Prisons Rep. Thomas Dodd (D-Conn.), almost hidden James V. Johnson signs a gun control bill at the White House, Oct. Then, as now, the country was in the grip of a crime nightmare that defied explanation. When the killer’s brain structure offered no explanation, blame was placed on guns and society. Still, Heatly did not think these thoughts were signs of a psychopath. Then, in a chilling statement, he told the psychiatrist that he was “thinking about going up on the tower with a deer rifle and start shooting people.” The angry young man said he hated his cruel, domineering father and was upset about his parents’ recent separation. Margaret Whitman was the first of Charles Whitman’s victims that day. She was struck on the head, shot, and fatally stabbed in the chest in the same manner that Whitman would also kill his wife. Whitman was “oozing with hostility,” Heatly recalled. Troubled by his parents’ separation, among other issues, Charles Whitman murdered his mother in her apartment on August 1, 1966. Maurice Heatly, a psychiatrist at the university health center. “After my death,” he said, “I wish that an autopsy would be performed on me to see if there is any visible physical disorder.”Īn autopsy revealed a pecan-sized tumor on his brain, but doctors did not believe that it had triggered his violence.ĭespite outward appearances, this tall, handsome, intelligent All-American boy was a time bomb - and he knew it. Whitman, a 24-year-old student at the University of Texas, in a 1966 photograph. Įxclaim! writer Kyle Mullin awarded the album a score of 7/10, noting that Black Star showcased glimpses of their backpack brilliance on No Fear of Time. Metacritic, a review aggregator website, assigned the album an average score of 79 out of 100, based on five professional reviews. The album's unique production, lyrical content, and its significance in the context of Black Star's discography were the focal points of many reviews. No Fear of Time received mixed to positive reviews from music critics, with many praising the duo's return to the spotlight after a long hiatus. ![]() On November 12, 2022, the duo performed "So Be It" and "The Main Thing is to Keep the Main Thing the Main Thing" on Saturday Night Live. The day after the album's announcement, the duo released a Black Thought-assisted promotional single entitled "Mineral Mountain", which used Madlib's "The New Normal" instrumental from the Sound Ancestors album. It was also revealed in a press release by Talib Kweli that the album was recorded over a span of four years in hotel rooms and backstage at Dave Chappelle's shows. On April 8, 2022, Black Star officially announced that their highly anticipated second album would be titled No Fear of Time, with a scheduled release of May 3 exclusively on the podcast platform Luminary. ![]() Eight years later, it was announced that a second album by Black Star was to be produced entirely by Madlib, and was confirmed to be finished in November. In November 2011, Black Star released two new singles entitled "Fix Up" (produced by Madlib) and "You Already Knew" (produced by Oh No), the latter of which was the lead single for a planned Aretha Franklin tribute mixtape entitled Black Star Aretha. In 2005, hip hop website .uk reported Kweli said that a new Black Star album was "in the pipeline". Since then, the duo went on to have greater success in their respective solo careers while also making occasional film soundtrack/compilation appearances including The Hurricane cut "Little Brother". ![]() In 1998, rappers Yasiin Bey (formerly known as Mos Def) and Talib Kweli formed the duo Black Star, releasing their debut album Mos Def & Talib Kweli Are Black Star that same year to critical acclaim. Entirely produced by Madlib, the album marks the duo's first full-length release in 24 years, following 1998's Mos Def and Talib Kweli Are Black Star, and was released on May 3, 2022, via podcasting network Luminary. No Fear of Time is the second studio album by American hip hop duo Black Star. I also tried defining three sets of data, one for each color, and adding them to the plot separately. Now, we will change the colour of the scatter plot data points, as shown below. Why not using a loop to plot the data leads to incorrect color of some points? Plt.scatter(x,y,c=col,s=5, linewidth=0)īefore that, I tried creating the same color list in the same way, but plotting the data without the loop: #scatter plotĮven though this plots the data much, much faster than using the for loop, some of the scattered points appear with a wrong color. Before that, I tried creating the same color list in the same way, but plotting the data without the loop: scatter plot plt.scatter(x,y,ccol,s5, linewidth0) Even though this plots the data much, much faster than using the for loop, some of the scattered points appear with a wrong color. N 45 x, y np.random.rand(2, N) c np.random.randint(1, 5, sizeN) s. Those can be passed to the call to legend. c can be a single color format string, or a sequence of color specifications of length N, or a sequence of N numbers to be mapped. for X,Y in data: scatter(X, Y, c) c: a color. It will automatically try to determine a useful number of legend entries to be shown and return a tuple of handles and labels. What's the trivial example of how to generate random colors for passing to plotting functions I'm calling scatter inside a loop and want each plot a different color. I tried creating a list of the same length as the data with the color I want to assign to each point and then plot the data with a loop, but it takes me a long time to run it. Another option for creating a legend for a scatter is to use the PathCollection.legendelements method. Also, the output of ListedColorMap outputs. Note that I generated more data points in order to better see that the colormap is the same. For example, the small dot up around 1.0 on the y-axis has the color value 0.47368421 in the first plot and 0.92515847 in the second. CurrentsArray and rf85CurrentsArray have different values at the same x and y coordinate). The result of the code is shown in the picture below. This is because your color values are different in each plot (i.e. I want to make a scatter plot of them giving each point a different color depending on these conditions: -BLACK if x=10 and y=10 and y>-0.5 From the Matplotlib documentation, you can generate a legend from a scatter plot with getting the handles and labels of the output of the scatter function. I hope that my explanation is clear enough. colors 'red','red','red','blue','red','blue' ax.scatter (data :,0,data :,1,ccolors,marker'o', pickerTrue) (b) Another option is to supply a. (a) One easy way is to supply a list of colors. This has an argument c, which allows numerous ways of setting the colors of the scatter points. ![]() ![]() Parameters - xx, yy : 1D arrays Data to plot. In order to produce a scatter plot, use scatter. What I want to do is changing their color from 150 to 185 with color evolutions from light red to dark red, light blue to dark blue, light green to dark green. If you want to plot lines instead of points, see this example, modified here to plot good/bad points representing a function as a black/red as appropriate: def plot(xx, yy, good): '''Plot data Good parts are plotted as black, bad parts as red. Display: Use the show () function to visualize the graph on the user’s screen. Set the color: Use the following parameters with the scatter () function to set the color of the scatter c, color, edgecolor, markercolor, cmap, and alpha. A colormap is like a list of colors, where each color has a value that ranges from 0 to 100. Plot a scatter graph: By using the scatter () function we can plot a scatter graph. ![]() The current code of drawing each time series is: trj_up = open('./up_a_2.dat','r')Įach file contains the following time series (see below). imports import plotly.express as px import pandas as pd dataframe df px.data.gapminder() dfdf.query('year2007') plotly express scatter plot px.scatter(df, x'gdpPercap', y'lifeExp') Here, as already mentioned in the question, the color is set as the first color in the default plotly sequence available through px.colors.qualitative. The Matplotlib module has a number of available colormaps. If only one scatter plot is created, plt.colorbar() without parameters will show this colorbar. ![]() An additional feature of matplotlib is that with this information it can automatically create a colorbar mapping the grey values to the corresponding weight. I would like to make a scatter plot showing its time series by its color evolution (e.g., light red to dar red), where I have three independent time series data. For grey values this would be plt.scatter(x, y, cweights, cmap'Greys', marker'+'). ![]() This loom is easy to use for new beaders and can be easily adjusted for both large and small beading projects. The Clover Beading Loom is quick to set up and contains two warp-thread spacing options for a perfect fit for both cylinder and round beads. But if you are working on a small project and don’t mind weaving in several warp threads, the Baby Jewel Loom is a very useful and affordable option. You can use it for smaller projects, and the warp threads will never move from their designated grooves - even if you hit a bump in the road.Īgain, this loom doesn’t have a stand. Avelar and distributed by Beadalon, is a perfect travel size option for looming. Also, this loom leaves many warp threads - which might be perfect for some clasps, but for other clasps you’ll need to spend more time weaving in the ends. If you are just learning to loom, the Jewel Loom may be a bit more difficult because there is no stand to hold it when you trying to warp the loom. In addition, the grooves keep the warp threads in place, equidistant apart. This loom is not limited to a finished size because the warp threads stretch the entire length of the loom. Avelar and distributed by Beadalon, is a lightweight and portable option for your looming projects. Therefore, you may need to measure out the full length and cut your thread before you warp. If you are using a large spool of thread, it might not fit between the Little Ricky Beading Loom’s rods and stand. One thing you may want to know when you set up your loom is how much warp thread you will need. If you need an odd size and you are using this loom, you may need to pull on the warp threads after you finish the jewelry to reduce the warp threads. This ensures that you will get the same size of finished loomwork every time. Used for smaller projects, this loom has pre-drilled holes and pegs to set predetermined lengths. Much like the Rick’s Beading Loom, the Little Ricky Beading Loom by BeadSmith also leaves only two warp threads. However, it’s a great choice if you’re sure about the finished size of your loomwork. If you don’t know your project’s exact finished size, or you want to change sizes halfway through the project, this loom is more difficult to adjust mid-project. I ended up pushing the crossed threads to the end of the loomwork, which made the end rows much more difficult to weave in. Halfway through a project, I realized that my warp threads had crossed. The only issue I had with the Rick’s Beading Loom was that it was a bit difficult to keep my warp threads aligned. The loom is also angled to reduce neck strain, for a wonderful looming experience. ![]() Distributed by BeadSmith, this loom is quick to assemble and can be adjusted to fit almost any project. You can adjust this loom to the specific size and then finish your piece with only two warp threads to weave in. If you already know the finished length of your project, Rick’s Beading Loom is a wonderful option. However, watch for Part II, where I test more looms - coming soon! ![]() ![]() After discovering how many beading looms are available, I was only able to try a few looms this week. Welcome to my cubicle, known for the past week as the loom test kitchen, mostly because of the mess! I started the week with a vague notion that I wanted to try different beading looms to figure out which looms work best for each kind of project. ✓ Want to learn exciting new techniques? Join thousands at the biggest fiber arts, bead and jewelry fest October 24-28th in Mesa, AZ with expert-led workshops, live demos, giveaways, and a marketplace full of one-of-a-kind vendors! Click here to learn more about Maker Festivals. But what My appreciates most is the stability. ![]() The five-star-rated gig worker also enjoys the perks of her rank and seniority: She now limits her gigs within an 8-kilometer radius of more affluent neighborhoods, and is able to take on a “normal” workload of up to 10 hours a day. My now earns as much as 150,000 dong ($6.3) per hour. In the early years, she accepted every job that came her way, even if it was on the other side of the city, required working 30 days a month, and paid less than a dollar per hour. As JupViec’s business grew, so did My’s earnings. Now, Google Maps shows her the way, and the weekly schedule is just a few taps away on her phone. Gone were the days of accepting new gigs via what she calls a “black-and-white” phone, and organizing shifts with a diary and paper map. “Everything became much more convenient,” My said. JupViec gave her one and deducted its cost from her monthly earnings.ģ,000 The number of workers housekeeping service JupViec has in Vietnam. My, who then only earned enough to make ends meet, couldn’t afford a smartphone. In 2016, it launched its own app, and required all workers to use it. My’s company, JupViec, has 3,000 workers across the country’s major cities. There is no comprehensive data available on how many of them work for gig platforms, but around 19% are tied to service providers, according to a 2021 report by the International Labour Organization. My is among the thousands of domestic workers in Vietnam. I’m always happy and full of energy.” For JupViec’s clients, My not only cleans and cooks, she also does laundry, shops for groceries, and occasionally even offers to ensure their kids do their homework. “So even 10 years into the job, every day is a new day to me. ![]() She had just finished a cleaning gig in downtown Hanoi. I never let myself go hungry at work,” the 45-year-old My, who always has a snack in her bag, told Rest of World. Over a decade later, My is one of the top-performing workers for the company, a gig platform that now offers in-home services such as cleaning and cooking. Things took a turn in 2012, when My came across a recruitment ad by JupViec, then a newly founded agency that connected domestic workers with clients. Throughout her various jobs, she longed for a stability she struggled to find. From laboring on a factory floor to selling snacks outside a school and running a street food cart, she did it all. When she was younger, Bui Thao My tried every job she could think of that didn’t require a degree or an investment. ![]() Our passion for lighting solutions is backed up by our ISO 9001 certification, which is accredited by the UK Government's national accreditation body - UKAS. We channel this knowledge into everything we do to curate the best range of square LED panels that are ideal for offices, shops, and classrooms. Be it the cheaper electricity costs, energy efficiency, or energy to light ratio, our efficient LED panels are some of the best in the industry.Īs a Leeds based lighting manufacturer that has operated in the UK delivering sign lighting and trough lighting, such as our Nanolight, to suppliers and end-users across the country, we understand what it is you're after when you're looking for light panels - you want cutting edge technology in your integrated ceiling panels, low energy consumption, and a variety of product dimensions to fit various ceiling grids. Whatever environment you're looking to illuminate with our daylight white panels we're confident that you'll soon see the benefits of working with Vision Lighting and opting for this solution. Here at Vision Lighting, we have spent the last few years refining the ceiling light options that we offer and are proud to supply six different modular ceiling lights that are perfect in a range of settings, for different applications, including shop floors and office buildings. Easy to install, with a fantastic range of benefits, the products we offer here at our LED panel store are a cutting-edge, energy-saving solution at costs that will suit every budget. LED panel lights for ceilings provide an energy-efficient alternative for offices and shops that want the benefits of good lighting, without the need to replace components every few months and pay high energy bills. ![]() Trendy and versatile industrial decorative pendant lighting helps add interest to breakout spaces, kitchens and co-workspaces.LED Products › Ceiling Panels Ceiling Panels Emergency lighting needs to be reliable, meet regulations and be unobtrusive as it forms a very important part of any interior design project.įunctional and reliable, bulkhead lighting can be used be used in a variety of settings from school and hospital corridors to trendy urban workspaces.ĭecorative pendant lighting is ideal for those finishing touches. They are flexible and can be used to set different lighting moods in a space. ![]() LED downlights are great for complimenting other lighting features or for providing main area lighting. 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![]() Moehle noted the team is also looking at failures that could have initiated within the tower, as some columns were “very heavily” loaded. And so it’s highly suspect that a failure initiation due to punching could have happened there.”Ī diagram prepared by investigators shows areas of the pool deck slab where slab-column connections were not up to code. “It has design deficiencies and construction efforts, it was heavily stressed and showed signs of deterioration. Those factors may have left an area of the pool deck particularly susceptible to punching shear failures, said Jack Moehle, one of the investigation project leaders. Investigators are testing specimens to explore how the corrosion of those hooked bars relate to the horizontal top bars in the slab and how corrosion may have damaged surrounding concrete and reinforcing bars. It has four hooked reinforcing bars sticking out the top, which show a marked degree of corrosion, Bell said. Investigators also highlighted one of the columns that had supported the pool deck slab. Bell said steel in the pool deck exhibited varying degrees of corrosion. “It’s quite deep in some places, not so deep in others.”ĭeterioration is the final factor that investigators are exploring in the pool deck’s safety margins. “The added fill and paving is really quite variable over the project,” Bell said. layer of pavers and sand plus a layer of waterproofing that had been added on top of the existing tile and mortar. An exploratory core taken during the building’s 40-year recertification inspections show a 1.25-in. A structure specialist shot photos during search and rescue operations showing a 9-in. Investigators also discovered additional fill and paving had been added to the pool deck during renovations that added weight to the pool deck slab. Photos from just days before the collapse published in a Miami Herald article last year show cracks and other distress around other planters that had been added on the west side of the pool deck, while photos from 14 months earlier show no distress there.Ī diagram, which is not to scale, shows structural distress spotted in photos from before the collapse. The trees were removed at some point between 20, but the planters remained. The weight of the trees, combined with the action of wind blowing them, may have damaged the slabs over the time that they were there, according to Bell. While not featured in the original design, the planters at one time contained palm trees that approached three stories tall, photos show. ![]() Heavy planters were also added to the north side of the pool deck, further reducing margins of failure in the slab, he said. “In the pool deck, that displacement in the original structure significantly reduces the margin of safety, particularly in the punching shear areas.” “The placement of this top reinforcement in a flat plate structure is really critical,” Bell said. Investigators found steel reinforcement in the pool deck slab had not been placed as designed. |
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